The thought of following a group of domesticated animals around all day seems like a real bore. There, I said it. Let the hate mail roll in. But first, take for instance my two cats, Aussie and Valley. They eat, they sleep, they shit. They want outside, they want back inside. Repeat in no specific order (add random vomiting of partially digested grass) and you have the day to day lowdown on my two orange felines. Why can't my lame eating-sleeping-pooping pets be as cool as the ones living in
Evan Dorkin and
Jill Thompson's Burden Hill? Well, for one, my cats cannot talk to each other in a sassy, snarky humor. And secondly, my cats don't encounter and fight zombie pets, giant frogs, and armies of rats, with an occasional infiltration of witches' covens and golem seances, like the pets in
Beasts of Burden do.
If you can't tell, I have a
small shred of skepticism about comics or movies starring domesticated animals. Don't worry, don't worry. That skepticism has been washed away thanks to last year's graphic novel collection
Beasts of Burden: Animal Rites, written by
Evan Dorkin (Milk and Cheese, Space Ghost Coast to Coast) with art by
Jill Thompson (Sandman, Scary Godmother).
Dark Horse Comics recently announced that
Beasts will be turned into a CGI-major motion picture produced by
Andrew Adamson (Shrek, Shrek 2, Chronicles of Narnia) and like a cat, my curiosity got the better of me and I just
had to read what all the hubbub was about. Good thing I did, too. Otherwise I may not have found a brand-new series I can gloat over in my Wednesday pile.
The story so far is amazingly small. With
Beasts public debut in 2003, a grand total of nine stories have been told to date (including four complete issues, as well as a
Beasts of Burden/Hellboy one-shot). These numbers compared to
The Goon's movie announcement after a successive thirty-three complete issues (not including separate one-shots) is quite the shocker. Albeit the date-to-print numbers of
Beasts is rather low,
Dorkin's story-telling and
Thompson's art skills make this title a fierce contender for anyone challenging its importance in the paneled world.
Beasts is a beautifully rendered project that uses every ounce of talent
Dorkin and
Thompson can give.
Dorkin invites readers into the small rural town through the eyes of man's best friends and ventures into their world with a paranormal twist. The beasts of Burden Hill slowly recognize and confront strange apparitions in their neck of the woods with an ever-growing suspicion this is only the beginning to something much,
much larger at hand. The
Animal Rites collection compiles eight of the nine published stories, each a stand-alone story, gradually revealing character aspects and introduces new questions and new characters.
Don't be fooled by the cute puppies and kittens that appear in the featured pictures, it's difficult to list
Beasts as an all age title. Some of the stories are down right horrifying and morbid beyond belief.
Thompson's monsters are vividly executed and in all due respect, gut-cringingly dark. Rarely do horror comics get to me, and in this collection, all but a few stories had me wide-eyed in terror.
Thompson is a complete master with her artwork and her steady use of watercolor adds a haunting dimension to the series that would be complete ruination if conducted by anyone other than she.
If these pictures look as corny to you as they first did to me, I
urge you to pick up a copy of
Beasts of Burden: Animal Rites and be surprised by its content today. You will awe. You will laugh. You will wonder and rejoice. But most of all, you will wish your little whiskered friends at home were as cool as the paranormal investigators of Burden Hill. For more information and previews of
Beasts of Burden click here.
Back in the water (didn't expect the wet, blue stuff to appear as an overarching theme here, did you?) Abe leads a naval crew to a sunken Soviet U-boat to recover a magical relic. Over the course of two issues, The Abyssal Plain treats readers to this sea-farthing tale and shows how Abe implements his "research" skills as a member of B.P.R.D.. Peter Snejbjerg illustrates this one. His work is slightly cartoonish for my tastes, mainly in regards to the character's facial expressions. One moment in the story the captain of the boat makes an offhand remark about how the dead will rise from the sea and kill every man aboard the boat. As he makes this false prediction, Snejbjerg takes the reigns to draw a what-if scenario which is anything but scary. The scene created is more silly and humorous than anything. With the art aside, the story is semi-interesting. It manages to build and build in momentum until finally the expected tidal wave of excitement and adventure becomes a sparse, single drop. Extremely disappointing.
